Manual Knowing Shakespeare: Senses, Embodiment and Cognition

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He is a research affiliate with the Making Publics project, a major five-year interdisciplinary initiative funded by the Social Sciences and Humanities Research Council of Canada. He was recently awarded a Folger Shakespeare Library short-term research fellowship.

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Ellen Spolsky. It is all the more impressive to arrive at this moment by way of the complex story told in Divinity and State. He cites but fails to address important work on Anthony Munday by Donna B. These are, however, minor shortcomings in a provocative and useful book.

Literature at MIT | Shankar Raman

By Amy Cook. New York: Palgrave Macmillan, Knowing Shakespeare: Senses, Embodiment and Cognition. Edited by Lowell Gallagher and Shankar Raman. New York: Pal- grave Macmillan, By Brian Boyd. Reviewed by Ellen Spolsky The energy emanating from the field of early modern cognitive cultural studies is much to be appreciated and encouraged. The project of charting the concrete, nonconceptual aspects of knowing and feeling is well underway, as illustrated by Shakespearean Neuroplay by Amy Cook, and Knowing Shakespeare, edited by Lowell Gallagher and Shankar Raman.

Knowing Shakespeare : senses, embodiment and cognition

Both depend on a set of first-generation studies that they work to expand and deepen. The earlier books were innovative in two distinct directions: one set learned from the new historicists to investigate the contemporary extensions of the semantic fields of early modern words, on the rea- sonable assumption that these were not coextensive with their modern ones. She demonstrated the explanatory power of an engagement with early modern theories of emotions and personality.

How your bodily state affects your perception: Simone Schnall at TEDxOxbridge

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